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WHITE GOLDThe influence and inspiration of 'Blanc de Chine' porcelain By Patricia Begg OAM
© Copyright: Ceramics and Glass Circle of Australia, 2004 This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out, or otherwise circulated without the publisher's prior consent in any form of binding or cover other than that which it is published and without a similar condition including this condition being imposed on the subsequent purchaser. Editor: Chris Begg Using pieces from:
CONTENTS
AUTHORS' INTRODUCTION The Ceramics and Glass Circle of Australia was formed twenty years ago to provide a focus for people interested in ceramics and glass. The aim of the group is to build its membersš understanding of a wide variety of ceramics and glass, and of the life and times of the period in which they were produced. The group has grown from a small band of loyal supporters to about 170 who mostly come from Victoria, with ten percent from interstate and England. Our membership is an exciting and buoyant group, with enormous enthusiasm for the acquisition of knowledge and the sharing of their collections. The Circle, some thirteen years ago, started developing exhibitions that moved around Victoria and Melbourne. This, our thirteenth exhibition, will first be at the Hamilton Art Gallery and then in Melbourne at the Fo Guang Yuan Art Gallery. The Directors of these galleries embraced the idea of 'White Gold' with enthusiasm. "White Gold the influence and inspiration of 'Blanc de Chine' porcelain on English and Continental porcelain" is the Ceramic and Glass Circlešs twentieth anniversary exhibition. This exhibition goes back to the Circlešs roots where a group of people met together to talk about their love of 18th century porcelain and glass. The purity of white porcelain, in all of its manifestations, draws many of our members interests together. Those that collect Chinese, French, German, Italian or English porcelain were all able to contribute to this exhibition. Even the Shaw Bequest to Hamilton Art Gallery provided us with some wonderful white pieces. The exhibition examines the enormous influence that Blanc de Chine porcelains of Dehua, Fujian Province in south-eastern China, had on the developing porcelain factories of the 18th century in Europe. The exhibition shows how the Orient affected our imagination, and stimulated us to struggle to make porcelain, to copy ideas and then, ultimately, to adapt and create our own. By Patricia Begg OAM |